|Briton Rivière (1840-1920) A Saint, from the ‘Jackdaw of Rheims’|
Before I get to the books full of thinky thinks, my story, “The Horses,” is the featured link at the TTA Press Advent Calendar today. Check it out and leave a comment on their boards if you like. They’re posting links to stories all month, so be sure and check back for more goodies!
I enjoyed my own personal Not Exactly NaNoWriMo and will be blogging about the experience in its entirety soon. Today’s post is a bit of a NaNo corrective. After a month where everyone is focused on producing reams of quick and sloppy pages, I wanted to luxuriate in a few of my favorite books that dig deep into the art and craft of writing.
Artful Sentences: Syntax as Style by Virginia Tufte. Beyond the nuts and bolts of grammar, this entire book is devoted to sentences. I’m letting my geek flag fly here, but if you love sentences as much as I do and want to think deeply about them, check out this book. Soak up chapters like: Sentence Openers and Inversion, Free Modifiers: Branching Sentences, and Syntactic Symbolism.
About Writing: Seven Essays, Four Letters, and Five Interviews by Samuel R. Delany. This book is a brick of writing insight from a master of genre fiction. In fact, SFWA just declared him the 2013 Damon Knight Memorial Grand Master for his contributions to the field. And about time! If you don’t feel like reading about writing, check out one of his novels. I’m partial to Dhalgren. It was the first book of his I read way back when.
|Samuel R. Delany|
Anatomy of a Short Story: Nabokov’s Puzzles, Codes, “Signs and Symbols” Edited by Yuri Leving. I’m actually currently reading this one. It’s straight up academic literary criticism. Maybe I’m just missing my college days, but I think it’s worthwhile to go deep into the workings of a single short story. It’s kind of fascinating to see just how many interpretations the ivory tower types can spin out of a couple thousand words. Nabokov’s correspondence with the editor of the New Yorker over the publication of the story is a fascinating chapter as well.
If that’s not your sort of thing, skip the book and listen to Mary Gaitskill read Nabokov’s brilliant story at the New Yorker. For some lit crit lite, the podcast includes a discussion of the story with Deborah Treisman, the New Yorker’s fiction editor.